Sutton Hoo ship burial

Grave goods of a warrior buried in a ship at Sutton Hoo
in Britain c. 625 AD collectively illustrate
“how to see the truth of existence”

The 7th-century Sutton Hoo ship burial was part of the “culture of concentration” that stretched as far as Uppsala and Vendel in Sweden where similar swords and helmets with coded bird images that define “eyes to see the truth of existence” were found in burial mounds. A helmet was found in Gjermundbu Norway, in the Oseberg ship burial was a bucket with a Buddha image. Every object in the Sutton Hoo burial was designed meticulously: images visually expressed codes and concepts – the numbers match those found in the meditation system of the Buddha described in Pali texts (Abhidhamma). Birds represented the mind (6th sense) that can investigate meditation objects at a distance, unlimited by time or space, the seahorse can dive into materiality to observe and analyse existence at subatomic particle level (kalāpas).

Download illustrated PDF file here 61 pages

Sutton Hoo Ship Burial:
to Cross the Ocean of Samara

Located in East Anglia, Britain

The Sutton Hoo ship burial took place in 7th century, a pivotal period in European history, the details of which got lost when meditation practices were finally replaced by Christianity in the 13th century. There was no memory left of the meaning of the cultural practices expressed by the intricate and carefully arranged objects discovered in the 27 metres long ship covered by a burial mound close enough to the edge of the river that it could be seen by passing ships.

When the objects found in the burial are analysed it becomes clear that every detail played its part in creating a diagram where the whole is more than the sum of its parts: the system that was illustrated explained how to concentrate to be able to “see the Truth as it is”, best expressed by the eyes of the helmet. The diagram further contained information that indicated how to deal with the information that is seen, expressed by the birds on the helmet: the tail that forms the moustache of the face has six sets of lines on each side that identify past and future life: Cause and Effect. Two wild boars on the wing tips, in the corners above the eyes, are a warning that sensual attachment will result in a life of ignorance.

The Sutton Hoo burial was part of a broad network of knowledge that started in the 6th century BC when the discoveries by the Buddha Gotama about human existence as mind and materiality started spreading over the world. It was not dogmatic blind belief, locally people incorporated the “Three Trainings” to tame the mind into their own cultures. When good ethics are followed as a guideline it will support concentration, with concentration a meditator will develop wisdom. Chosen images were as varied as the cultures that made them, but the underlying structure of the numbers used to portray the system was persistently applied without change, from the 6th century BC to the 12th century when the rune inscriptions, based on symbols that originated in Linear A and B tablets made in Greece when Pythagoras was a teacher, were made in Maeshowe: 1,700 years of application of one system of knowledge, using a fixed set of numbers to represent recognisable concepts.

In the Sutton Hoo burial exceptional care was taken when making each object, it was clearly an important and prestigious site. In Europe several centres that included sacred sites like Delphi and the library and learning centres of Alexandria were demolished after the fourth century. Sixteen years before the Sutton Hoo burial the Pantheon of Rome that contained the same numbers as found in Sutton Hoo was turned into a Christian church, consecrated to the Virgin Mary and the Martyrs who were willing to die for their faith.

The Sutton Hoo site was part of an effort to protect the knowledge about the meditation techniques, details of the numbers were engraved into every part of the series of objects found in the burial. Scandinavians from Vendel and Uppsala in Sweden were still travelling to India at the time, a 6th-century Gandhara Buddha statue found in Helgö near Stockholm is proof that Europeans were fully aware of the large Bamiyan Buddhas that were carved into the rock-face in Bactria, many impressive meditation caves were made in India around the same time as the Sutton Hoo burial.

The objects in Sutton Hoo was an expression of the knowledge about the system of meditation that was originally taught by the Buddha and was still practiced locally, the commitment was to benefit stability and happiness in the community through generosity and respect, based on understanding of the universal law of Cause and Effect.

All contents is the personal view of the author.

Sutton Hoo burial objects

Sutton Hoo helmet

Sutton Hoo bird and seahorse

Sutton Hoo Ship Burial
to cross the ocean of samsara

This short video (no sound) is a visual accompaniment to the Sutton Hoo text: www.lostlinksofbuddhism.com & www.settiwessels.com The 7th-century Sutton Hoo ship burial was part of the “culture of concentration” that stretched from southern Europe and as far as Uppsala and Vendel in Sweden where similar swords and helmets with coded bird images were found in burial mounds; eyes were accentuated “to see the truth of existence”. A Buddha image from Gandhara found in Helgö near Stockholm was made around the same time, in the Oseberg ship burial of Norway was a bucket with a Buddha image. Were the Old Norse in Scandinavia Buddhist meditators? Every object in the Sutton Hoo burial was designed meticulously to describe their in-depth knowledge – images visually expressed codes and concepts of numbers that match those found in the meditation system of the Buddha described in Pali texts (Abhidhamma). Birds represented the mind (6th sense) that can investigate meditation objects at a distance, unlimited by time or space; the seahorse was a metaphor for the mind that “dives into materiality” to observe and analyse the meditator’s existence at subatomic particle level (kalāpas). The Sutton Hoo burial was carefully arranged in a visual way to follow definitions that were expressed by the numbers of the Elder Futhark rune symbols, which were designed based on the “mystic numbers of Pythagoras” (c. 580-500 BC) who was born shortly after the Buddha’s enlightenment in 588 BC. The Sutton Hoo burial was arranged as a refined and elegant diagram to explain the meditation system that was practiced in Europe for up to 1,700 years, the details of both the ship burial and a few selected objects are described in this animated text clip.